Ear training and solfege
Treat a chord like an object you can observe from different viewpoints.
The patterns in the images below (again without clef and accidentals) are to be applied to all regular seventh chords, with inversions (root-position, 65-, -43, -2).
Exercise: Sing/play the patterns from the examples below until you can do this fluently, for all regular seventh chords. (Singers: If you choose not to use an instrument to demonstrate you ability, you'll have to sing the note names as well...).
Combinations & Permutations
You can also exercises with so called "combinations/permutations"; in this case you put the notes of the chord in all kind of orders.
Below a number of examples is given.
Exercise: SIng/play until you have achieved fluency with all regular seventh chords. Singers: If you choose not to use an instrument to demonstrate you ability, you'll have to sing the note names as well...).
NB Begin met het hoogste niveau en zie hoe ver je komt.
Strand je dan zoek je een lager niveau en bouwt op tot hoger niveau.
Heb je FLUENCY bereikt, dan kun je het!
TIP: Start with the required level and see how good you are. If you get stuck you know you have overestimated yourself...
In that case: go back to a lower level and build up from there until you have acquired fluency for each level.
Go to Artusi drills:
AKKOORDVOLGORDES MELODISCH UITGEWERKT
uitgeschreven:
uitgeschreven:
Maak een vergelijkbare oefening met deze trappenvolgordes: zorg ervoor dat je uiteindelijk op de tonicatoon van de toonladder eindigt.
In majeur en mineur I-VI-IV-II-V7-I.
Speel/zing de volgende melodietjes in zoveel mogelijk majeur- en mineurtoonsoorten. (Mineur met leidtoon).